While it does accurately reflect what happened in real life, said ending is neither a powerful or emotional climax.
And the less said about the ending the better.
There is scene after scene of each actor alone and moping around, but this quickly becomes repetitive. In fact, over the course of 90 minutes director Elliot Lester never successfully finds unique ways for his characters to display their grief. In other words, a very movie-esque approach to grief.
Aftermath 2017 full#
In addition there are moments that are just a bit too heavy-handed, such as Ronan’s excitement to see his family again, the debris-strewn crash site or the wall full of photos and newspaper clippings.
Aftermath 2017 movie#
The two lead characters spend a large portion of the movie apart from each other, and as a result the movie finds it difficult to mine any type of drama. But despite the fact that his role is far more “showy” than Schwarzenegger he still brings a great deal of sympathy to what could have been an easily hated character.īut good acting can’t help overcome the most significant problem in the script: absolutely zero conflict. Calm and collected, with no ridiculous one-liners, he’s nothing more than an average blue-collar worker trying to come to terms with a beyond average situation.īut this is a two-hander, and McNairy gives as good a performance as his co-star. As his pain comes from explosive guilt rather than self-reflective loss, he arguably has the easier role. In fact, while it might be hard to believe, Schwarzenegger does an incredible job in coming across as an every-man. However, unlike Collateral Damage, here Schwarzenegger’s character doesn’t feel the need to murder half of Columbia. 2002’s Collateral Damage more or less has the same inciting plot point: a terrible tragedy befalls the leading man’s family, and sets him down a path to try and gain justice. To be completely fair, the basic plot of Aftermath is technically one that Schwarzenegger has done before. Unable to cope, he falls into a deep depression and essentially abandons the relationship with his wife (Maggie Grace) and son (Judah Nelson).Īs time passes, both men are pushed to their utter limits and soon the pent-up emotions threaten to explode in the ultimate expression of righteous anger and fury. Meanwhile, the flight controller on duty at the time, Jacob “Jake” Bonanos (Scoot McNairy), is traumatised by the fact that he might be responsible for the deaths of innocent people. But on reaching the airport he is informed that there has been a mid-air collision, and all those on board have been killed. Inspired by true events, Aftermath follows Roman Melnyk (Arnold Schwarzenegger), a construction worker looking forward to the return of his wife and pregnant daughter from their trip to Eastern Europe. While Aftermath tries to do something similar, it doesn’t quite reach the same heights. But Schwarzenegger ends up being more than capable in bringing believable pathos and the film in turn stands out as an excellent example of just how versatile he is as an actor. To play a grieving father dealing with the emotional fallout of his dying daughter would have been a tough role for any actor. To be fair, it’s not as if there are an abundance of dramatic Schwarzenegger roles, but 2015’s Maggie was an incredible revelation (at least for me). Like Robin Williams in One Hour Photo or Jim Carrey in Eternal Sunshine of the Spotless Mind, seeing an actor outside of their traditional genre can lead to some amazing performances. If you also take into account Conan, Predator and the best only live-action Mr Freeze on the big screen, it’s hard to separate the action genre from the Austrian Oak.īut there’s a little bit of me that’s disappointed more attention isn’t paid to his dramatic roles. There aren’t too many actors that can say they played one of the greatest heroes in sci-fi history AND one of its greatest villains. There’s no argument that, for probably the rest of human history, Arnold Schwarzenegger will be remembered purely as an action star.